maheshinte prathikaram malayalam movie script pdf

#Maheshinte prathikaram malayalam movie script pdf how to

A bunch of men gather around him and tell him to stage patriotic plays, and - BAM! - he decides to stage patriotic plays.

Something very similar happens in the scene in “Kaaviyathalaivan” where Kaali is in jail and decides to stage patriotic plays. Put differently, instead of making us learn something, we are told something directly.Īnd that is just information, not dramatisation, which is why these characters don’t stick. (Not the greatest of scenarios - but just bear with this example.)īut in the film, the hero is walking home after a hard day of work and X calls out to him and hikes up his lungi and shows him the varicose veins and says “this is varicose veins…” So it’s all revealed through dialogue rather than incident. Now, how do you do it? Maybe you’d write a scene where the character (let’s call him X) stumbles and falls in the presence of the hero, and then the hero learns about this condition. Take “Angadi Theru.” So you want to establish the fact that standing for long periods of time makes you get varicose veins. His films run around 2.5 hours, and yet, he doesn’t seem to care about establishing characters through scenes rather than through expository dialogue (like another internationally renowned filmmaker we shall not name at this juncture ) But that is kind of what Vasathabalan does. Because you are just filming the dialogues (வசனம்) written by Jeyamohan And i feel this is the main reason why Angadi Theru or Kaviya Thailavan cannot achieve its cinematic beauty. I read a piece written by Baradwaj Rangan (not in his main reviews, but somewhere in his comment section).

#Maheshinte prathikaram malayalam movie script pdf how to

I am not saying you should be writing the shot division and cut details but there is something called as “Cinematic writing” which requires a basic understanding of how to tell a story through images, words and cuts (and not just words).

This medium involves cinematography and editing into consideration while writing. They do not understand that film writing is a different medium. No doubt they are the “KING” in the novel writing craft and their stories are regarded with high standard in par with world literature. Let’s move on to the next issues - we have been engaging the novel writers as screenwriters in Tamil Cinema. A screenplay format consists of action (description) and dialogues and how can you separate the dialogue component and still call it a screenplay ? This post is regarding how Tamil Cinema lacks quality screenplay writers and the understanding of the writing for film mediumįirst thing first - I do not understand the credit system followed so far which has two parts - “Dialogue by” (வசனம்) and there will be a another main credit where the director name appears under “Screenplay by” (திரைக்கதை).